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Woodside's Information Pages
All about Woodside Morris Men
An introduction to Woodside..
Woodside's Traditional Repertoire
Woodside's Own Dances
All about Morris Dancing
All about the Morris Year
May Day - A Great English Tradition
The Morris Summer
The Morris Winter
Woodside's Next Event
Boxing Day on the Green
Wednesday 26 December 2018
12.30pm, The Cricketers, Sarratt, WD3 6AS
Dancing with guest sides to celebrate Yule Tide
Occasionally Woodside induldge in a few traditional songs after a dance.
Check out our sing-a-long pages
and join in, or download a PDF copy of the Songbook.
First danced in 1957
Squire: Dave Lang
Foreman: Dave Pearse
Bagman: Nick Wilson
Master of Music: Pete Flannagan
Practice: September to April at the Colne River Rooms,
The Pump House
, Watford, WD17 2JP
All about Morris Dancing
South of Manchester, it is Cotswold dancers that most people are likely to associate with Morris Dancing. And because the dances of the Cotswold traditions were predominantly performed by sides in the Morris Ring, they are most often associated with Morris Men. The majority of sides dancing Cotswold do tend to be male, but there are many well established women and mixed sides that perform it as well.
2012 Westminster Day of Dance, The Sanctuary, Westminster Abbey, London
copyright 2012 Woodside Morris Men
Cotswold is so called because its heartland, where Morris dancing can be traced back to the mid 17th Century, is in the south midland area of England, where the Cotswold Hills march through the countryside of Oxfordshire and Gloucestershire. Between the 18th and 19th Centuries, practically every village in this area seems to have been represented at some stage by a Morris side.
Cotswold dances consist of figures and choruses made up predominantly of single step (step hop) or double step (one, two three, hop) movements, but also featuring vigorous, more showy stepping, often involving leaping from foot to foot, with balances, splits and kicks thrown in for good measure. To accentuate the movements, dancers carry hankies or sticks which swirled or struck in time to the music. Cotswold sides also wear the Morris dancers' most famous accessory: the bells.
Jigs play quite a large role in Cotswold Morris, as its style lends itself very well to solo dances. Jigs are often used as proof of a novice's ability, and on performing satisfactorily in front of the team, a dancer may then receive their side's insignia, or baldricks.
Cotswold kit usually consists of white shirts and white trousers, or black breeches, usually with some kind of hat and a crossed sash, known as baldricks.
Northwest Clog Morris
Predominantly danced in clogs, North west Morris was one of the stars of the revival of the 1970s. Although there are many well established, traditional men's sides, the tradition is one in which womens sides proliferate; it is also a popular traditon for mixed sides, with a style that can compliment the physical differences between the gendres. Its roots are, believe it or not, in the industrial northwest of England, mostly from within Lancashire and Cheshire.
2010 Whitby Folk Week, The Band Stand, Whitby
copyright 2010 Woodside Morris Men
North West dances are usually made up of a polka step, known as ranting, mixed with some single step (step hop), with the occasional bit of intricate stepping. although the tradition shares many figures and choruses with its southern cousin, in Northwest they tend to be more complex, sometimes resolving over a number of passages of the tune.
One of the most noteable differences between the two predominant traditions is the performance of music; whereas Cotswold sides are happy dancing with a single musician, North West teams tend to prefer as big a band as possible, with brass, drums, strings, wind and Melodeons. The lot.
An evolution of Northwest Morris that has continued without hiatus through the tewntieth century and into the twenty-first is Carnival Morris (also known as Fluffy and Competition Morris). The two styles are recognisably related but with Carnival Morris, the figures have become more regimented, reflecting the competition element that is essential to the tradition. Costumes have also continued to be modernised, as has the music, which tends now to be modern tunes played over a PA. Carnival Morris is not seen in general as part of the broader Morris family.
Border Morris originates from around the English/Welsh borderlands; the counties of Shropshire, Cheshire and Hereford. Border sides are the scary ones that black up and dress in black clothes with bells and ribbons to taste. Again, border sides lean towards a large band, and dance single step dances with some intricate figures.
Many Cotswold sides will also dance Border, some of them even change their entire repertoire in winter to an all border set; there are further border/cotswold connections, with traditions such as Litchfield and Upton Upon Severn having a distinct border feel to them.
1980 Towersey Folk Festival, The Dance Arena, Towersey
copyright 1980 Woodside Morris Men
Many new sides have chosen to use Border as the root for variations on the Morris dancing theme, with some concentrating on the brightness of the stepping and intricate movements, some accentuating darker origins of the disquised dance in their attire and trappnigs, and some blooming in the daft side.
And speaking of daft, albeit in a very positive sense: Certainly the wackiest of the Morris traditions, Molly is a very stylised step hop dance, again, often performed with complex figures, and usually involving at least an element of cross dressing (a Molly, in Morris terms, being a man dressed as a woman), and almost always seeking to disconcert the audience in some manner.
Molly comes from the Fenlands of Anglia, and although it is something of a loud minority Morris dance, it is very strong, and very dominant in its heartland. A raft of new teams around the area have joined the old timers in recent years with a definite sense of claiming the dance for their own.
There are two predominant forms of Sword Dance: Rapper, the more common short sword dance; and Long Sword, the less common dance performed with, er... long swords. Rapper tends to be a tighter set, with short stepping and highly intricate manoeuvres. Long Sword uses a more languid gate, often covering quite a large area, with dancers leaping or stepping over swords as part of figures. Both are done to reels, usually with a single musician, seldom to a large band.
1961 Woodside do Rapper, Cecil Sharp House, Camden Town
copyright 1961 Woodside Morris Men
At the end of a dance, and often within the dance as well, the set will lock their swords in a star pattern, which will be held aloft for audience approval, and when all is done, this locked star will often be thrown to the ground by way of a full stop.
Rapper is possibly the most vibrant and active arm of tradtional dance, not liking to be referred to as Morris, with the annual
Dancing England Rapper Tournament
(DERT) competition regularly attracting virtually the whole community! New teams seem to spring up all the time, with the competetive nature of DERT feeding a desire for high standards that other forms of dance find it difficult to sustain. Not neccessarily true for every team, but certainly for the majority.
There are a number of other forms of Morris dance, some of them not too keen on the link being made, despite their obvious relationship to the higher profile styles.
The Brittania Coconut Dancers of Bacup
have their own very distinct and unique style, with its own tales of origin, and traditions in performance - well worth catching. Then there is the
Abbots Bromley Horn Dance
homage, and the Hobby Horse traditions at
, which vary greatly from mainstream Morris. You then start crossing over into other local traditions such as
that, whilst making no link to the Morris, do represent a common wish to maintain celebratory dance or spectacles evolved over centuries and owned by the people who participate in them.